The paper owes its name to painter Jean Auguste Dominique Ingres. His famous portraits can be admired at the Musee du Louvre. In 1832 he developed for himself a laid finish paper best suited for pastels. This paper is well chosen for weight: not too light, thereby avoiding the risk of being torn by the pencil; nor too heavy, in which case it would lose the property of pliability - one of the particular attractions of this type of laid paper. It has a surface texture which "grasps" at the stroke of the pencil or the pastel crayon and has a high sensitivity to the most delicate shades of color.